Vogs through Shanghai I: Xu Jia Hui
I love my Fluevogs. John Fluevog, that is. The Canadian shoe designer, who makes sturdy shows that are also fun and stylish. My sister Su introduced me to them--she who has a great eye for detail (God is in the details, she believes) and very good taste. And so, I am fortunate to know about Vogs.
So in my Vogs, I walk out of the gates and there, a pink bus is already stopped. No wait. And there are seats available. I always think I'm gonna read on the bus, but it's so much more interesting to gaze out the window.
There is Ye Xe, the small town the school is near, there is the lot of stone lions for sale to guard the gates of new constructions, there we cross the bridge over this part of the Huangpu river, there we're honking and speeding down the highway. If you think about the high-flying Chinatown buses that get you from city to city in record time, well this is the ancestral ground and there is no speed limit or precaution whatsoever. No time to fear, just hold on and go with it. I grab tight to the railing. Folks around me are napping.
Xu Jian Hui is not as far as People's square: only 6 stops from Lianhua Rd. There is a very friendly recorded voice on the subway, but on this weekend I swear that the recorded voice is just a little lower, like she slept in or something. Could that be? A different, more relaxed voice for weekend passengers? Maybe played at a different speed? Though she still says the most curious thing. After explaining in Chinese whether to exit on the right or the left side of the train, she says in English the name of the stop and then 'Please 'lide' on the left (or right) side of the train.' I've heard it over and over, and whether weekday or weekend voice, it still always sounds like 'lide.' Leave? Ride? Elide? Don't matter. No one really speaks English.
I get to Xu Jia Hui. I'm to meet Deb at Exit 2. The place is bubbling over with shoppers. I see Exit 8 and 9 this way, 10-12, that way. That's it. I go to the ticket seller, I can say this in Chinese. 'Excuse me, where is Exit 2.' 'There's no more Exit 2.' I'm adjusting, and check again. 'No more Exit 2.' Hmmm. I go to Exit 12, to maybe wait there, but it's the entrance to a ritzy department store. I go back to 8-9 and decide to just go up to the street. The whir increases, I look for Deb...there's just no way, without a cell phone.
I surface at the entrance of the Orient Shopping Centre. I am greeted.
Rock on with your bad self, Lion at the Gate of the Orient...
I figure if I stay in one place, maybe Deb might pass by. I take in the sites. I find the mall that's a ball that houses electronics stores. I do need that phone and webcam, but I can't get myself to navigate. I really just want to get my bearings.
The lion looks on so merrily. Laughing at the fesitivities, or perhaps about to feast upon it. Eyeing that ball, the toy that always teases the lion in how many New Year's dances.
It may be the Orient, but it certainly welcomes all the world.
Turns out it's a display for the Festival of Shopping. Aha, it's a festival, alas.
After standing on ground level for 3 photos, each time thanking the person for granting me the favor and then flicking the camera switch to view the photo, lo and behold the whole of the lion is in, but the photo would crop at my ankles. They were even pretty good poses, but none of the photographers could appreciate the Vogs enough to include them in.
Finally, I ask a gal if she might take a photo of me. I don't mention the shoes, and this time leap up onto the pedestal with the lion.
Et voila. Mission accomplished. All the while, the popping sound of a tennis ball is constantly heard. Just behind the lion is a coupla men taking turns hitting a ball attached to a piece of elastic, hitting out into the street, no net, no court, just this device to practice your swing.
The strange thing is that upon closer inspection, these rackets are badminton rackets and have nothing to do with tennis. I try to get a photo with the ball in action, but my timing with my camera is off. The guy behind the rackets asks if he can help me. As a matter of fact yes. How do I get to the...to the...to the Shanghai...museum, not not museum...boy my Chinese is limited...that place on Yan'An Blvd, a big place where there's a...there's a...it's at 1000 Yan'an Blvd...
I get my point across...it's the Shanghai zhan lan zhong xin... zhan lan zhong xin...I don't have a pen to write it down... Can I walk? The fellow looks at my shoes...it's too far to walk. How about subway? Subway you have to change trains, it's complicated. Better take a taxi. Across the street.
So how do you say it again? He looks at me. Sorry, I'm from the U.S. and my Chinese... Shanghai zhan lan zhong xin...zhan lan zhong xin, ...that's what I tell the taxi cab across the street...zhan lan zhong xin. Yes, he says, suspiciously. Something weird to him about a Chinese person who can't understand him so well, and can't remember how to say something as simple as zhan lan zhong xin. I had that in Guangzhou too, when I was teaching there 23 years ago. As if you're playing a joke or something. Part of the low trust of this culture.
I feel dizzy from the air and stimulus. I descend the stairs and grab a cab from the taxi stand. The Vogs are doing me right! And I'm off to the Shanghai zhan lan zhong xin.

Labels: Alice Tuan, Guo Jingjing, John Fluevog, Xu Jia Hui
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